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Ethics…

Authenticity and knowing what is real and what is less so is a real challenge in a world which is extremely fast and evolving. When it comes to ethics, authenticity is something you dismiss, as ethics shouldn’t be fluffed.

We’ve always been open about the where’s and wherefores about what we do, equally our offering in product and our culture. We’ll try here to unpack a few of the attributes around what we do.

Paper, is sourced from credible sources, through mainstream paper merchants, with products whose supply chain we can identify back to the source (paper mill) and then through to the content pulp for the product. Much has changed in the last 5 years, traceability is now even more critical. We advocate certain producers, whose carbon footprint mileage on to us is as low as it can be. (However understand that sometimes, other factors influence purchasing decisions) Equally, we will source paper through channels which means we enable reuse, where it might be unsuitable for other production processes, where we can purposefully bring it into production.

The toner (ink) in our digital presses, is 94% plus compostable. Our presses whilst well used, are still within service tolerances, we chose to ensure we maximize the use, and lifespan of any physical resource as the manufacture of machines does incur a carbon footprint, which we aim to minimize through extended working life. We run a policy of not running machines on standby, reducing our electric consumption. We still have Riso type machines, which are also low power consumption along with running soy-based inks, which are an environmentally friendly option. Interestingly our digital presses print already reaches benchmarks that Royal Mail has specified for sustainable mail pieces.

Large format print is latex and dye-based inks, both are non-solvent based inks, which are environmentally friendly. We are in the throws of exploring and product beta testing non PVC materials for banners, further demonstrating our commitment to moving our operations in the right direction.

We are well aware of the issues around laminates used both in sheetfed print and large format. The evolution of products in this area to counter the need for plastic for protection is evolving, we actively watch this. Equally, we do question the need to specify and equally, if we can substitute other products like direct printing onto polyester, a good example is hospitality menus which have been previously Matt laminated, printing them on a nevertear polyester product. This is great as it can be recycled and also kept hygienic by being able to be clean with alcohol-based cleaners.

Like many other businesses, we ensure our office products are sustainable too, recycled plastic in our biro’s, our office waste paper gets combined with our production waste paper for recycling. Our paper recycling also has a tangible minimal carbon footprint, it’s recycled less than 10 miles away by Sonoco, turning into cardboard tubes.

For garments we use for apparel, we use credible brands, with traceable certifications, coupled with organic and sustainable recycled polyester products. Responsibility for specifying will see garments shift considerably in the next few years, we actively spend time expanding our knowledge to deliver the best solutions we can. Print technologies are shifting as well, and we expect to see progression in what we offer soon.

That’s a lot about the tangible items in the business, intangibles still are a substantial part of what we do. A significant group of staff in the business are Scout leaders and have interests in other community-focused groups, this does make “how” we do things slightly different, values are a big part of the way we do things. You can see from many of the blogs on this website about thinking.

We as a business also see our responsibility to encourage and develop other local businesses too. Through business networking, building connections to enable the best local. Encouraging startups, taking care of neighbours and doing our bit to ensure our immediate environment is pleasant and welcoming.

We do aim for a holistic approach around our ethics in the business. We’re not box shifters, we proudly describe ourselves by offering an honest service. It’s a rounded encompassing, personal service, aimed with respect for what we do for you.

Every tale starts with a beginning…

I’m a pendant for getting the best. I think we all like “the best”. However, race to the bottom and “I want it now” culture, drives a very different mantra of “will do”. It amazes me how some people talk the talk and say one thing and what they actually want is miles off from my benchmark.

My background in repro, better described as the bit before it hits a press in print, was all about, maximising the end result and the quality of what we were going to print. So, what does this actually mean, and why does it make a difference.

Images, best resolution, sharp throughout, in focus and properly taken. I have a background in professional high-end grade scanning, not just looking at the colour balance, but tonal curves and a lot more. Yes, I use pro digital Nikon DSLRs these days for photographs, but also use exceptional scanners to capture art pieces, drawings and historical materials which need digitising with the utmost care and attention. We’ve retouched historical photographs for magazine covers. The supplier/owner of the image has been amazed at the results. With a bit of careful attention, referencing, considering composition, lens characteristics and a lot more whilst re-constructing and enhancing the image to create a sharp, well-balanced end result. We know when we have scanned medium format transparencies and had a reference image of the same location, taken on a good DSLR, the traditional colour transparency held more detail than it’s a digital counterpart. A great example was being able to pick out blades of grass, with some definition.

Logos and technical drawings, scalable artwork is everything. Ensuring the artwork is sharp and the detail is defined is essential. We will re-draw up artwork in a vector format to ensure it meets the needs of reproduction regardless of end size. I started my career artworking in a vector environment every day. It delivered quick results in a fast-moving environment of promotional print. It’s stood me in good grounds for everything I’ve done since.

Typography, in my early years in the trade, whilst I was at College, I was lucky enough to have a placement at Warwickshire Illustrations in Cheylesmore in Coventry. They were a high-end design agency working with clients like Jaguar and Rank among many names. The senior staff in the studio there were meticulous, for the kerning (spacing of characters), ligatures, typeface elements for characters, and fine-tuning of all typography to be effortless for the reader to read with ease. Hence why now, I do like, love and ooze pride when I see proper typography, well-executed on a page.

That work experience placement also taught me a lot about, concept creation, the scamps, visuals and idea development, even before you start to layout the item in any technical format, to artwork the job.

With over 3 decades in print, specifying is so important, getting it right for the job, thinking through what the end-user is going to think as they handle or engage with your piece of print. Materials, the where and how are so important when thinking about the brief, and yes every job should have a brief. Recently I’ve kicked a job back to the client, so we can have a brief that will get the results, he is expecting.

We are so different than other providers, well the online ones anyhow, as we care, want to support you in your project. To get to my position in this trade is through experience, education, and graft. It’s why I proudly describe what I do as artisan, boutique, craft-based print, with the culmination of the aforementioned. Yes, you can have cheap print, when you pay a little bit more, for #properprint with real engagement. No job is ticket number running through our studio, it is all about the customer, the joys of being small and paying attention to detail is at the heart of what we do.

Outstanding shining lights of 2021

Part 2 of our reflective blogs of 2021. The top 5 projects and the highlights of what we’ve seen in 2021. Projects that have caught our eye for the right reasons and ultimately will perform.

Starting at number 5, Julia Elvin, (personal private project) Christmas Cards, meeting the exacting challenges for Julia in 2020, was an interesting journey, this year we had a progression with this year’s Christmas Card, from original artwork, scanned, retouched, colour balanced and reproduced on some stunning James Cropper Vanguard board (Ivory Cream). Great to use British made products in our print.

In at number 4… Shy Burhan, Shipley based photographer, collaboration, engagement, consideration, inclusion were at the heart of the project we did for Shy in June of 2021. What can only be described as an exhibition catalogue, celebrating the works of a project Shy led. We produced a perfect bound catalogue, with beautifully sharp imagery. Supported Shy in creating the artwork, within an environment she understood and knew.

A significant project for number 3, a book on customer service, geared up for a specific audience and design to build trust and authority on the topic. The author was a definitive point of knowledge on the subject, and the trend for prospects to turn into customers is becoming harder as we get flooded with multiple channels of marketing noise, crying out for attention. 

The second most noticeable project(s) of the year, has been the work we’ve done for Flat Stan First Aid, daring to be different, changing the game and engaging and taking on board ideas to progress. Simon’s leadership on actively listening, planning, implementing and careful review process, has allowed him to aim a bit higher in how he pitches and presents. The “how” has been at the key of this work, whether going slightly lumpy and physical with his marketing, addressing tone of voice for communications or thinking more strategically.

The most significant piece of 2021, Nick Shaw, Always Networks, Security book. Nick is a highly credible experienced professional in the world of data and online security, his career progression has given him exceptional experience and it shows. This was part of the enabler in creating a marketing tool, which worked not just on the levels as identified in project number 3 above, but to a higher level. The two-way engagement we had, sparking ideas to deliver, measures, controls, engagement monitoring tools, goes beyond what I call an “ink on paper” print house and makes us a partner delivering marketing support in a realistic SME business environment. 

Overall, we love the diversity of what we do, the magic it creates, the journeys it enables for others to progress their objectives. So, if you need the magic of transforming your engagements with real people, with real meaningful physical touchpoints, we have some stunning ways and means. Oh and I should have included this project, for Lee at Fordies Detailing



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